Tsotsi is about to leave, but the crying baby brings him back and he picks it up as the other cops arrive and then hold their guns on him. After a few tense moments, including John calmly trying to get the baby back from Tsotsi, the hoodlum does just that as the cops continue to aim their guns at him. 'Tsotsi,' a film of deep emotional power, considers a young killer whose cold eyes show no emotion, who kills unthinkingly, and who is transformed by the helplessness of a baby. He didn't mean to kidnap the baby, but now that he has it, it looks at him with trust and need, and he is powerless before eyes more demanding than his own. ANTAGONIST - Tsotsi is his own worst enemy lost and out of control however, he is blindsided by 3 month old baby that forces him to look at himself in a way he has never attempted. How he meets his antagonist is why the move is so great. PLOT - Angry lost boy meets 3 month old baby, baby convinces the boy he's worth more than he thinks.
'TSOTSI'(2006) (Presley Chweneyage, Terry Pheto) (R)
| Alcohol/ Drugs | Blood/Gore | Disrespectful/ Bad Attitude | Frightening/ Tense Scenes | Guns/ Weapons |
|---|---|---|---|---|
| *Heavy | Heavy | Extreme | Heavy | Extreme |
| Imitative Behavior | Jump Scenes | Music (Scary/Tense) | Music (Inappropriate) | Profanity |
| Mild | Minor | Mild | *Mild | Extreme |
| Sex/ Nudity | Smoking | Tense Family Scenes | Topics To Talk About | Violence |
| Heavy | Mild | Heavy | Moderate | Extreme |
- QUICK TAKE:
- Drama: When a carjacking results in him being in the possession of his victim's infant, a tough and murderous street thug slowly finds himself bonding with the baby that starts to change his outlook on life and his lifestyle.
That changes after they murder a man on the subway and Boston begins to question their acts. That and his bringing up Tsotsi's past enrage the leader who beats Boston to a pulp and then runs off into the night. Things then become even more complicated when the young thug carjacks rich Pumla Dube (NAMBITHA MPUMLWANA) and shoots her in the process.
Speeding away, he discovers to his horror that the woman's infant is in the backseat. Prepared to abandon it but then having second thoughts, Tsotsi returns the child to his hovel where he quickly comes to the realization that he has no idea how to care for it. Accordingly, he confronts a mother who lives nearby, Miriam (TERRY PHETO), and makes her breastfeed the baby at gunpoint.
From that point on, and as Pumla's husband John (RAPULANA SEIPHEMO) worries about his severely injured wife and missing child, and Tsotsi's gang grows apart from him, the thug must decide what to do with his life.
- WILL KIDS WANT TO SEE IT?
- The fact that it won the 2005 Oscar® for Best Foreign Language Film might entice some older teens.
- WHY THE MPAA RATED IT: R
- For language and some strong violent content.
- CAST AS ROLE MODELS:
Then read OUR TAKE of this film.
(Note: The 'Our Take' review of this title examines the film's artistic merits and does not take into account any of the possibly objectionable material listed below).
Violence includes several deaths (by stabbing and a gunshot), while another person is shot and one gang member pummels another. Those incidents have bloody results and they and other moments might be unsettling or suspenseful to viewers, while some of the behavior (mainly gang-related) might be enticing for some kids to imitate. The perpetrators have obvious bad attitudes for their various crimes, while they and others drink and/or smoke, while some drug use (pot) may be present (they're either smoking cigarettes or marijuana, but the characters are noted as being drug dealers). Parents worry about their kidnapped baby, while the husband of that pair worries about his injured wife.
Tsotsi And The Baby Essay
Should you still be concerned about the film's appropriateness for yourself or anyone else in your home, you may want to look more closely at our detailed listings for more specific information regarding the film's content.
- Butcher may be smoking a joint.
- Some of the gang members have what looks like beer.
- Some of the gang members have beer, while others there also drink.
- Boston appears to smoke pot.
- Boston and others have beer.
- In a flashback, young Tsotsi's father has a beer.
- Boston has beer and comments are made implying that he has a drinking problem (and Tsotsi reminds Boston of finding him on the street, drunk and in his own vomit -- not seen).
- Butcher appears to smoke pot.
- Aap tries wine in John's house, but says he prefers beer.
- We see a little blood on a man's shirt after he's just been fatally stabbed.
- Boston vomits following Butcher stabbing a man to death during a robbery.
- Upset about Butcher having just murdered someone, Boston breaks a bottle and uses the end to cut his own arm (with bloody results).
- Upset with Boston questioning their actions, Tsotsi punches him. He then proceeds to kick and punch him repeatedly, severely bloodying his face.
- We briefly see the infant's dirty diaper and Tsotsi uses newspaper to wipe its rear as well as fashion a makeshift diaper on it.
- After Tsotsi pulls a gun on a wheelchair bound man, the latter tells the former, 'You made an old man piss his pants' (but we don't see anything related to that).
- Days after Tsotsi beat him, Boston's eye is still swollen shut and he has various crude stitches on various cuts on his face.
- Blood splatters onto a person's face as another person is shot dead. The victim is then seen on the floor with blood on him and a pool of his blood on the floor by him.
- Tsotsi and his minions have bad attitudes for their life of crime (that includes murder, carjacking, kidnapping and drug dealing).
- Butcher mocks Miriam, saying that if she doesn't have any milk for her child, she can let it 'suck me,' all as Boston flicks his fingers at his chest to mock breasts.
- Tsotsi talks of someone kicking and thus breaking a dog's back.
- Needing Miriam's help with the infant he's inadvertently kidnapped, Tsotsi holds his gun on her. She grabs a kitchen knife, but he tells her to put it down and she does. He then continues to aim his gun at her to make her breast-feed the baby (which she does and he stops aiming at her). When he leaves, he threatens that if she tells anyone, he'll kill her.
- We hear the sound of young Tsotsi's father hitting a dog, followed by sounds of it whimpering and then crawling out, appearing severely injured.
- Scenes listed under 'Violence' and 'Blood/Gore' may be unsettling or suspenseful to some viewers.
- Tsotsi and his gang spot a middle-aged man to rob and follow him onto a crowded subway car where they surround him and gesture for him to be quiet. Butcher then pulls out a long, skinny knife. As they rob him, Butcher stabs him once in the gut (with no around them noticing). As the train empties, then they leave him on the floor dead.
- Upset with Boston questioning their actions, Tsotsi punches him. He then proceeds to kick and punch him repeatedly, severely bloodying his face.
- Tsotsi waits and then gets into Pumla's car when she's at the entrance gate, trying to get John to open it. When she sees Tsotsi in her car, she rushes up and opens the door, with him then shooting her. She falls away and we think she's dead, but she then pops up at the car window as he drives away (we later hear she's alive, but that she might not walk again).
- Tsotsi finds Pumla's infant in a car seat in the back of Pumla's car. He's about to abandon both the car and baby, but when he hears the latter crying, he places it in a shopping bag along with other things he steals from the car.
- Various scenes of the wailing infant might be unsettling or grating to some viewers, particularly when they know it's under duress.
- A man in a wheelchair spits on Tsotsi's shoe, infuriating Tsotsi. But he waits until later to follow the wheelchair bound man out into some desolate part of the city. That man then throws rocks at Tsotsi until the hoodlum pulls his gun, scaring the man who has no way to escape. The man offers Tsotsi his money, but Tsotsi kicks the small canister holding the man's money. After some tense moments, Tsotsi lets the man live and leaves.
- When Tsotsi returns to his 'home,' he sees ants crawling all over the shopping bag in which he's still keeping the infant. He then removes the infant that has ants all over its face (the baby is crying, but is okay after that).
- Needing Miriam's help with the infant he's inadvertently kidnapped, Tsotsi holds his gun on her. She grabs a kitchen knife, but he tells her to put it down and she does. He then continues to aim his gun at her to make her breast-feed the baby (which she does and he stops aiming at her). When he leaves, he threatens that if she tells anyone, he'll kill her.
- We hear the sound of young Tsotsi's father hitting a dog, followed by sounds of it whimpering and then crawling out, appearing severely injured.
- Spoiler Alert: Tsotsi, Butcher and Aap stake out a house at night that we then see belongs to John and Pumla. As John pulls up, they rush up and confront him, with Tsotsi holding a gun to his head. Once inside, Butcher wants to knife John right away, but Tsotsi won't let him. As Butcher goes about robbing the place (and finds John's hidden handgun) and Tsotsi solemnly looks through the baby's room, we see John starting to untie himself from his chair. He then activates his car alarm, causing the others to panic. Butcher races up and tries to shoot John, but the gun doesn't fire. He then cocks it again, we hear a shot and blood splatters onto John's face, but we then see that Tsotsi has shot Butcher dead. Tsotsi then holds his gun on John for a moment, but then turns off the car alarm.
- The cops raid Tsotsi's place and hold their guns on Boston who's in bed.
- Tsotsi goes to return the infant to John and Pumla and is outside at their driveway gate when a cop inside spots him and calls in the reinforcements. Tsotsi is about to leave, but the crying baby brings him back and he picks it up as the other cops arrive and then hold their guns on him. After a few tense moments, including John calmly trying to get the baby back from Tsotsi, the hoodlum does just that as the cops continue to aim their guns at him.
- Handguns/Knife: Used to threaten, wound or kill others. See 'Violence' for details.
- Phrases: Phrases (in English subtitles): 'F*ck off,' 'Oh f*ck,' 'F*ck him,' 'F*ck all,' 'F*ck you,' 'You f*cking bastard,' 'F*ck your decency,' 'Smells like sh*t,' 'Bullsh*t,' 'He was sh*t,' 'Chill out,' 'Bastard,' 'Dog,' 'Go to hell' and 'Moron.'
- It's possible the film could inspire some kids to act in a gang-like fashion.
- Tsotsi gives 'the finger' to others.
- Upset about Butcher having just murdered someone, Boston breaks a bottle and uses the end to cut his own arm (with bloody results).
- We see miscellaneous graffiti.
- A person is suddenly shot and blood splatters onto another person.
- A mild amount of suspenseful and ominous music plays in the film.
- A song had what sounded like a use of the 's' word, but we couldn't hear or understand the rest of the lyrics in it or other songs, thus presenting the possibility of them containing objectionable material.
- At least 27 'f' words, 9 's' words, 1 damn, 1 hell and 4 uses of 'Jesus' (in English subtitles).
- Pumla shows some cleavage.
- Butcher mocks Miriam, saying that if she doesn't have any milk for her child, she can let it 'suck me,' all as Boston flicks his fingers at his chest to mock breasts.
- We see part of Miriam's bare breast as she breast-feeds the infant.
- A woman shows some cleavage.
- We see Tsotsi in his boxers.
- Miriam opens her shirt (thus showing cleavage) and we then see several views of her bare breast (including the nipple) before and during her breast-feeding the infant.
- Some smoking is seen (by Butcher, Aap and others), but it's not always clear whether it's tobacco or drug-based.
- Boston comments about when Tsotsi's mom left (we later learn he means died) and asks Tsotsi where his father is (Tsotsi doesn't reply).
- John is worried about Pumla and their kidnapped baby, while Pumla is worried about the latter as well.
- We see a flashback to when Tsotsi was a boy and his mother is very sick in bed (presumably with AIDS). His father then comes in and tells the boy to get away from her so that he doesn't catch anything. Following that and his father severely injuring a dog, Tsotsi runs away (presumably never to return).
- Miriam states that her husband never returned home one day and it's implied that he was murdered.
- Kids turning to various sorts of gangs for survival and/or companionship and friendship.
- How Tsotsi reassesses his life after inadvertently coming into possession of the baby.
- Life in shantytowns.
- We see various signs about AIDS and HIV.
- We see various young kids sleeping in concrete pipes outdoors (this is their home, and we later hear that Tsotsi previous lived there).
- Tsotsi and his gang spot a middle-aged man to rob and follow him onto a crowded subway car where they surround him and gesture for him to be quiet. Butcher then pulls out a long, skinny knife. As they rob him, Butcher stabs him once in the gut (with no around them noticing). As the train empties, then they leave him on the floor dead.
- Upset about Butcher having just murdered someone, Boston breaks a bottle and uses the end to cut his own arm (with bloody results).
- Upset with Boston questioning their actions, Tsotsi punches him. He then proceeds to kick and punch him repeatedly, severely bloodying his face.
- Tsotsi waits and then gets into Pumla's car when she's at the entrance gate, trying to get John to open it. When she sees Tsotsi in her car, she rushes up and opens the door, with him then shooting her. She falls away and we think she's dead, but she then pops up at the car window as he drives away (we later hear she's alive, but that she might not walk again).
- Tsotsi ends up driving his stolen car across a street sign, knocking it down and damaging the car.
- A man in a wheelchair spits on Tsotsi's shoe, infuriating Tsotsi. But he waits until later to follow the wheelchair bound man out into some desolate part of the city. That man then throws rocks at Tsotsi until the hoodlum pulls his gun, scaring the man who has no way to escape. The man offers Tsotsi his money, but Tsotsi kicks the small canister holding the man's money. After some tense moments, Tsotsi lets the man live and leaves.
- We hear the sound of young Tsotsi's father hitting a dog, followed by sounds of it whimpering and then crawling out, appearing severely injured.
- Spoiler Alert: Tsotsi, Butcher and Aap stake out a house at night that we then see belongs to John and Pumla. As John pulls up, they rush up and confront him, with Tsotsi holding a gun to his head. Once inside, Butcher wants to knife John right away, but Tsotsi won't let him. As Butcher goes about robbing the place (and finds John's hidden handgun) and Tsotsi solemnly looks through the baby's room, we see John starting to untie himself from his chair. He then activates his car alarm, causing the others to panic. Butcher races up and tries to shoot John, but the gun doesn't fire. He then cocks it again, we hear a shot and blood splatters onto John's face, but we then see that Tsotsi has shot Butcher dead. Tsotsi then holds his gun on John for a moment, but then turns off the car alarm.
Reviewed January 30, 2006 / Posted March 24, 2006 Other new and recent reviews include:Privacy Statement and Terms of Use and Disclaimer
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Tsotsi is an African film that shows the contrasts between the rich and poor divide (Binary Opposition) and tells a story in the eyes of a thug and shows redemption and even a thug can change. Which is in the title. Tsotsi is translated into thug in english. This shows that not every thug is a thug all the way through him and even as something small or vulnerable as a baby can change even the hardest of thugs life around. The genre of this film in my opinion is a Crime Drama.
Narrative- A thug from Johannesburg is in a gang and causing trouble throughout the town he is in. When he is on one of his jobs in the rich side of the town he comes into contact with a baby that will change his life around. As the film goes on he cares more and more for this baby and he changes his life around and become less of a thug. You see the horrid life he lived at a young age that got him to this point and see the journey he has been on and will take. Only one person sees so much more than he lets on to be (Miriam) and those emotions come out more and more as the film goes on.
The Codes and Conventions of any film is basically the unwritten rules for the colours and lighting for that genre of film. For example if it is a comedy film then the colours will be bright and the lighting will be bright to make a happy emotion for the audience. If it is raining in a comedy film then the audience will suddenly feel down and not find it funny just because what is on screen. For Tsotsi as this is a Action, Drama the colours are dark and pure. It depends what is happening on screen. When Tsotsi is being a thug and hitting people or talking about bad things like when a flashback happens and he thinks about his father and his mother and how his father killed his dog and he ran away and thats how he become homeless its at night. So the colours are very dark and its raining which is a sign of emotion being poured out in the character even if they don't show it. Its more than likely to show that they are upset or crying. When the audience see's rain on the screen it changes their emotion as-well so the audience can empathize with the characters on screen. As we are looking through the eyes of the ‘thug' then we empathize with him as we can see through his eyes but if there was another main character in the film and we didn't follow his story we would look at him as a bad guy.
When the baby comes into view and the rich side of Africa, then the colours become pure. This is the point in the film that he changes his life. There is a point in the film when Tsotsi tries to stop the baby crying by putting on some music and dancing because he doesn't know what to do. At first when he brings the baby back to the shanty town and in his shack then its just dark but as he goes along and continues looking after this baby sun shines through the shack and onto him. This could mean that his soul is becoming more pure with the help of this baby and now he has to look after someone else and not him-self for a change.
Already through this film at the beginning of the film the first shot you see is Tsotsi doing a stabbing on a train for money. So the audience reaction is not vert sympathetic towards this character only the character who got stabbed. The clothes he is wearing are very dark with browns and blacks and also leather. These are the clothes and the colors of bad people who commit crimes, you will see throughout the film the changing of clothes is different and more free. By the end of the film his clothes change from dark colors and leather jackets to a white loose shirt and black trousers. White symbolizes pure, church and freedom, with the help of the baby he is a changed person. The contrast from Tsotsi at the beginning from Tsotsi at the end is so different. If the he stayed the same person throughout the film then the film will be changed and he would continue being violent and he would keep on running away form the law. If that baby wasn't in that film then you wouldn't of had that story and nothing would of become of him. Baby's are normally seen; in the eyes of people, immature, vulnerable, not a person yet, can't cope on their own and they learn from adults. If you change that around, you could describe Tsotsi with the same exact words. But the difference is that he learns from the baby and not the other way round. He is not learning like everybody else does, with looking after this baby, he is learning responsibility and he is now getting feelings towards it. He looks up to this baby like a guru if you like to call it that. He teaches him life lessons without him knowing it.
The genre is Crime Drama. The reason it is Crime Drama because in the beginning you know Tsotsi as a thug, he stabs somebody on a train for money, he steals from a homeless guy in a wheel chair and there is aspects of crime in this film but there is also aspects of Drama in this film as-well like the flashback within the film when he looks back at his Family and the reason why he ran away and become the guy that he has become and that change in his life.
In the crime genre the structure is, there is a murder, then and investigation then it is solved. Within this film, there is a murder and there are knives and guns involved which you would link to the crime genre. There is the good cop and the bad cop and they try to find Tsotsi and how Tsotsi lives is with guns and knives. That is how this can be within the crime genre.
The Drama genre, normally tells you the story about family struggles. Which this does tell you when he goes back into his flashback from how his mother died form how his father treated him and why he ran away and how he ended up in the end. You can also class him changing with the baby in his life is a struggle for him to change his life and he cares for that baby and he didn't think that he could care for anybody. The first time you see this emotion is when he follows the homeless guy in the wheel chair and starts harassing him. He reminds him of his dog that he had and become ‘crippled' is how he described him as his dad hurt the dog and the guy couldn't walk. This is the first emotion that you see from him.
In this film i think there are more elements of the Drama genre then the crime genre because this film is all about redemption and how his life changes and at the very end if he continued because the thug he was he would of ran away from the police and show no emotion but he changed. His clothes changed from being leather and dark to at the very end just a white loose shirt. That is the color of purity. He doesn't want to give away the baby and shows emotion because he got attached. You could say here that he couldn't changed without help and now it was time to let go he wasn't ready. You can also say that as the baby was form the rich side of the country that the poor just need help from that side even if they just care and they will be come better people.
This film is all about the rich and poor divide and how people want to change. There is a scene that stands out to me when he first has the baby and he sees a single mother with her baby and he goes to her to feed his baby. But he holds her to gun point while she breast feeds. For a living she makes chimes and sells them. Tsotsi goes up to them. There is one which is old and rusty and right next to it is one very colourful and inviting and bright. He looks straight thorugh the old rusty one and touches the colourful one with his gun. Here is could represent him. The person he is and the person he will be. A gun shows power and security. As he just looks straight through the rusty one it could show that he is invisible and wants to move away from it and break away. But while looking up the the colourful chime and touching it with his gun this could shows he looks up to people like that but scared to step in that direction. You could say here, he is in limbo. Too scared to move forward but doesn't want to take a step back.
Representation within this film is Race, Gender and disability. For race, as this film is a African film and the director is not african it shows it through the eyes of a different person. It shows two different parts of the country and what they go through in Johannesburg. Here they are seen as dangerous as Johannesburg has one of the highest crime rates ad as the main character is a thug then it points the audience in that direction. Through gender the male characters are the strongest physically but the females are stronger through mind. So it kind of equals itself out. With the disability is with the guy in the wheel chair. As he is a homeless person it kinds of shows him as weak and cant look after him self and he is vulnerable and a easy victim. In the train station people just walk right by him and not even bother with him. When they do bother with him he is being a target.
Theories- The film doesn't just go by one theory i think it combines. With the Aristotle theory there is just a beginning middle and end. But i think think this film is more complex than 3 stages within the film. Levi Strauss theory is Binary opposition, this has defiantly got binary opposition between the rich and poor divide. Yladmir Propp theory is 8 types of characters. The hero, villian, donor, dispatcher (messenger) false hero, helper, princess and her father. I don't think some of these apply but some do like the hero, villain, helper and the princess. The hero would be Tsotsi the villain would be the police, the helper or helpers would be his friends (Gang) and Miriam would be the princess. Izetan Todorov theory is 5 stages within the narrative.
1. A state of equlibrium at the outset- Tsotsi being the thug and does what he does best and commits crimes in his gang.
2. Adisruption of the equlibrium by some action- He hits one of his gang members and his gang falls apart.
3. A recongition that there has been a disruption- The baby comes along while he is steeling the car.
4. An attempt to repair the disruption- He tries to look after the baby but cant so he asked for help from the princess.
5. A vein statement of the equilibrium- The very end when he has changed and become a different person.
Tsotsi Baby Handover Song
High limit casino videos. So i think the 3 theories make up this film and it just doesn't go by one theory.
In this film you go on a journey with one particular person with a troubled childhood and the ability to change. The catch is that the change in his life was a baby. When he comes into contact with the baby he debates whether or not to give the baby back but as he is getting chased by cops he is forced to keep the baby in his apartment. He is torn between his old life and the new one that is about to come upon him. This film has so many emotional impact on you when you watch it. It doesn't mean you will cry but you will feel different once you have seen it. When i watched it for the first time the ending got me and thats when i got the emotional impact. In other films you watch the gangster/ thug is the bad person, this film changed your perception of that character. When you see the life of someone that you think is evil it changed your way of thinking about them. The saying applies here ‘Don't judge a person unless you walk a mile in their shoes.' With the soundtrack in this film combines very well with the emotion shown on screen. There is a reason why this is one of my favorite films. You have to watch this film to actually know what impact it throws on you. It is not an easy going film to watch.
- WILL KIDS WANT TO SEE IT?
- The fact that it won the 2005 Oscar® for Best Foreign Language Film might entice some older teens.
- WHY THE MPAA RATED IT: R
- For language and some strong violent content.
- CAST AS ROLE MODELS:
Then read OUR TAKE of this film.
(Note: The 'Our Take' review of this title examines the film's artistic merits and does not take into account any of the possibly objectionable material listed below).
Violence includes several deaths (by stabbing and a gunshot), while another person is shot and one gang member pummels another. Those incidents have bloody results and they and other moments might be unsettling or suspenseful to viewers, while some of the behavior (mainly gang-related) might be enticing for some kids to imitate. The perpetrators have obvious bad attitudes for their various crimes, while they and others drink and/or smoke, while some drug use (pot) may be present (they're either smoking cigarettes or marijuana, but the characters are noted as being drug dealers). Parents worry about their kidnapped baby, while the husband of that pair worries about his injured wife.
Tsotsi And The Baby Essay
Should you still be concerned about the film's appropriateness for yourself or anyone else in your home, you may want to look more closely at our detailed listings for more specific information regarding the film's content.
- Butcher may be smoking a joint.
- Some of the gang members have what looks like beer.
- Some of the gang members have beer, while others there also drink.
- Boston appears to smoke pot.
- Boston and others have beer.
- In a flashback, young Tsotsi's father has a beer.
- Boston has beer and comments are made implying that he has a drinking problem (and Tsotsi reminds Boston of finding him on the street, drunk and in his own vomit -- not seen).
- Butcher appears to smoke pot.
- Aap tries wine in John's house, but says he prefers beer.
- We see a little blood on a man's shirt after he's just been fatally stabbed.
- Boston vomits following Butcher stabbing a man to death during a robbery.
- Upset about Butcher having just murdered someone, Boston breaks a bottle and uses the end to cut his own arm (with bloody results).
- Upset with Boston questioning their actions, Tsotsi punches him. He then proceeds to kick and punch him repeatedly, severely bloodying his face.
- We briefly see the infant's dirty diaper and Tsotsi uses newspaper to wipe its rear as well as fashion a makeshift diaper on it.
- After Tsotsi pulls a gun on a wheelchair bound man, the latter tells the former, 'You made an old man piss his pants' (but we don't see anything related to that).
- Days after Tsotsi beat him, Boston's eye is still swollen shut and he has various crude stitches on various cuts on his face.
- Blood splatters onto a person's face as another person is shot dead. The victim is then seen on the floor with blood on him and a pool of his blood on the floor by him.
- Tsotsi and his minions have bad attitudes for their life of crime (that includes murder, carjacking, kidnapping and drug dealing).
- Butcher mocks Miriam, saying that if she doesn't have any milk for her child, she can let it 'suck me,' all as Boston flicks his fingers at his chest to mock breasts.
- Tsotsi talks of someone kicking and thus breaking a dog's back.
- Needing Miriam's help with the infant he's inadvertently kidnapped, Tsotsi holds his gun on her. She grabs a kitchen knife, but he tells her to put it down and she does. He then continues to aim his gun at her to make her breast-feed the baby (which she does and he stops aiming at her). When he leaves, he threatens that if she tells anyone, he'll kill her.
- We hear the sound of young Tsotsi's father hitting a dog, followed by sounds of it whimpering and then crawling out, appearing severely injured.
- Scenes listed under 'Violence' and 'Blood/Gore' may be unsettling or suspenseful to some viewers.
- Tsotsi and his gang spot a middle-aged man to rob and follow him onto a crowded subway car where they surround him and gesture for him to be quiet. Butcher then pulls out a long, skinny knife. As they rob him, Butcher stabs him once in the gut (with no around them noticing). As the train empties, then they leave him on the floor dead.
- Upset with Boston questioning their actions, Tsotsi punches him. He then proceeds to kick and punch him repeatedly, severely bloodying his face.
- Tsotsi waits and then gets into Pumla's car when she's at the entrance gate, trying to get John to open it. When she sees Tsotsi in her car, she rushes up and opens the door, with him then shooting her. She falls away and we think she's dead, but she then pops up at the car window as he drives away (we later hear she's alive, but that she might not walk again).
- Tsotsi finds Pumla's infant in a car seat in the back of Pumla's car. He's about to abandon both the car and baby, but when he hears the latter crying, he places it in a shopping bag along with other things he steals from the car.
- Various scenes of the wailing infant might be unsettling or grating to some viewers, particularly when they know it's under duress.
- A man in a wheelchair spits on Tsotsi's shoe, infuriating Tsotsi. But he waits until later to follow the wheelchair bound man out into some desolate part of the city. That man then throws rocks at Tsotsi until the hoodlum pulls his gun, scaring the man who has no way to escape. The man offers Tsotsi his money, but Tsotsi kicks the small canister holding the man's money. After some tense moments, Tsotsi lets the man live and leaves.
- When Tsotsi returns to his 'home,' he sees ants crawling all over the shopping bag in which he's still keeping the infant. He then removes the infant that has ants all over its face (the baby is crying, but is okay after that).
- Needing Miriam's help with the infant he's inadvertently kidnapped, Tsotsi holds his gun on her. She grabs a kitchen knife, but he tells her to put it down and she does. He then continues to aim his gun at her to make her breast-feed the baby (which she does and he stops aiming at her). When he leaves, he threatens that if she tells anyone, he'll kill her.
- We hear the sound of young Tsotsi's father hitting a dog, followed by sounds of it whimpering and then crawling out, appearing severely injured.
- Spoiler Alert: Tsotsi, Butcher and Aap stake out a house at night that we then see belongs to John and Pumla. As John pulls up, they rush up and confront him, with Tsotsi holding a gun to his head. Once inside, Butcher wants to knife John right away, but Tsotsi won't let him. As Butcher goes about robbing the place (and finds John's hidden handgun) and Tsotsi solemnly looks through the baby's room, we see John starting to untie himself from his chair. He then activates his car alarm, causing the others to panic. Butcher races up and tries to shoot John, but the gun doesn't fire. He then cocks it again, we hear a shot and blood splatters onto John's face, but we then see that Tsotsi has shot Butcher dead. Tsotsi then holds his gun on John for a moment, but then turns off the car alarm.
- The cops raid Tsotsi's place and hold their guns on Boston who's in bed.
- Tsotsi goes to return the infant to John and Pumla and is outside at their driveway gate when a cop inside spots him and calls in the reinforcements. Tsotsi is about to leave, but the crying baby brings him back and he picks it up as the other cops arrive and then hold their guns on him. After a few tense moments, including John calmly trying to get the baby back from Tsotsi, the hoodlum does just that as the cops continue to aim their guns at him.
- Handguns/Knife: Used to threaten, wound or kill others. See 'Violence' for details.
- Phrases: Phrases (in English subtitles): 'F*ck off,' 'Oh f*ck,' 'F*ck him,' 'F*ck all,' 'F*ck you,' 'You f*cking bastard,' 'F*ck your decency,' 'Smells like sh*t,' 'Bullsh*t,' 'He was sh*t,' 'Chill out,' 'Bastard,' 'Dog,' 'Go to hell' and 'Moron.'
- It's possible the film could inspire some kids to act in a gang-like fashion.
- Tsotsi gives 'the finger' to others.
- Upset about Butcher having just murdered someone, Boston breaks a bottle and uses the end to cut his own arm (with bloody results).
- We see miscellaneous graffiti.
- A person is suddenly shot and blood splatters onto another person.
- A mild amount of suspenseful and ominous music plays in the film.
- A song had what sounded like a use of the 's' word, but we couldn't hear or understand the rest of the lyrics in it or other songs, thus presenting the possibility of them containing objectionable material.
- At least 27 'f' words, 9 's' words, 1 damn, 1 hell and 4 uses of 'Jesus' (in English subtitles).
- Pumla shows some cleavage.
- Butcher mocks Miriam, saying that if she doesn't have any milk for her child, she can let it 'suck me,' all as Boston flicks his fingers at his chest to mock breasts.
- We see part of Miriam's bare breast as she breast-feeds the infant.
- A woman shows some cleavage.
- We see Tsotsi in his boxers.
- Miriam opens her shirt (thus showing cleavage) and we then see several views of her bare breast (including the nipple) before and during her breast-feeding the infant.
- Some smoking is seen (by Butcher, Aap and others), but it's not always clear whether it's tobacco or drug-based.
- Boston comments about when Tsotsi's mom left (we later learn he means died) and asks Tsotsi where his father is (Tsotsi doesn't reply).
- John is worried about Pumla and their kidnapped baby, while Pumla is worried about the latter as well.
- We see a flashback to when Tsotsi was a boy and his mother is very sick in bed (presumably with AIDS). His father then comes in and tells the boy to get away from her so that he doesn't catch anything. Following that and his father severely injuring a dog, Tsotsi runs away (presumably never to return).
- Miriam states that her husband never returned home one day and it's implied that he was murdered.
- Kids turning to various sorts of gangs for survival and/or companionship and friendship.
- How Tsotsi reassesses his life after inadvertently coming into possession of the baby.
- Life in shantytowns.
- We see various signs about AIDS and HIV.
- We see various young kids sleeping in concrete pipes outdoors (this is their home, and we later hear that Tsotsi previous lived there).
- Tsotsi and his gang spot a middle-aged man to rob and follow him onto a crowded subway car where they surround him and gesture for him to be quiet. Butcher then pulls out a long, skinny knife. As they rob him, Butcher stabs him once in the gut (with no around them noticing). As the train empties, then they leave him on the floor dead.
- Upset about Butcher having just murdered someone, Boston breaks a bottle and uses the end to cut his own arm (with bloody results).
- Upset with Boston questioning their actions, Tsotsi punches him. He then proceeds to kick and punch him repeatedly, severely bloodying his face.
- Tsotsi waits and then gets into Pumla's car when she's at the entrance gate, trying to get John to open it. When she sees Tsotsi in her car, she rushes up and opens the door, with him then shooting her. She falls away and we think she's dead, but she then pops up at the car window as he drives away (we later hear she's alive, but that she might not walk again).
- Tsotsi ends up driving his stolen car across a street sign, knocking it down and damaging the car.
- A man in a wheelchair spits on Tsotsi's shoe, infuriating Tsotsi. But he waits until later to follow the wheelchair bound man out into some desolate part of the city. That man then throws rocks at Tsotsi until the hoodlum pulls his gun, scaring the man who has no way to escape. The man offers Tsotsi his money, but Tsotsi kicks the small canister holding the man's money. After some tense moments, Tsotsi lets the man live and leaves.
- We hear the sound of young Tsotsi's father hitting a dog, followed by sounds of it whimpering and then crawling out, appearing severely injured.
- Spoiler Alert: Tsotsi, Butcher and Aap stake out a house at night that we then see belongs to John and Pumla. As John pulls up, they rush up and confront him, with Tsotsi holding a gun to his head. Once inside, Butcher wants to knife John right away, but Tsotsi won't let him. As Butcher goes about robbing the place (and finds John's hidden handgun) and Tsotsi solemnly looks through the baby's room, we see John starting to untie himself from his chair. He then activates his car alarm, causing the others to panic. Butcher races up and tries to shoot John, but the gun doesn't fire. He then cocks it again, we hear a shot and blood splatters onto John's face, but we then see that Tsotsi has shot Butcher dead. Tsotsi then holds his gun on John for a moment, but then turns off the car alarm.
Reviewed January 30, 2006 / Posted March 24, 2006 Other new and recent reviews include:Privacy Statement and Terms of Use and Disclaimer
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Tsotsi is an African film that shows the contrasts between the rich and poor divide (Binary Opposition) and tells a story in the eyes of a thug and shows redemption and even a thug can change. Which is in the title. Tsotsi is translated into thug in english. This shows that not every thug is a thug all the way through him and even as something small or vulnerable as a baby can change even the hardest of thugs life around. The genre of this film in my opinion is a Crime Drama.
Narrative- A thug from Johannesburg is in a gang and causing trouble throughout the town he is in. When he is on one of his jobs in the rich side of the town he comes into contact with a baby that will change his life around. As the film goes on he cares more and more for this baby and he changes his life around and become less of a thug. You see the horrid life he lived at a young age that got him to this point and see the journey he has been on and will take. Only one person sees so much more than he lets on to be (Miriam) and those emotions come out more and more as the film goes on.
The Codes and Conventions of any film is basically the unwritten rules for the colours and lighting for that genre of film. For example if it is a comedy film then the colours will be bright and the lighting will be bright to make a happy emotion for the audience. If it is raining in a comedy film then the audience will suddenly feel down and not find it funny just because what is on screen. For Tsotsi as this is a Action, Drama the colours are dark and pure. It depends what is happening on screen. When Tsotsi is being a thug and hitting people or talking about bad things like when a flashback happens and he thinks about his father and his mother and how his father killed his dog and he ran away and thats how he become homeless its at night. So the colours are very dark and its raining which is a sign of emotion being poured out in the character even if they don't show it. Its more than likely to show that they are upset or crying. When the audience see's rain on the screen it changes their emotion as-well so the audience can empathize with the characters on screen. As we are looking through the eyes of the ‘thug' then we empathize with him as we can see through his eyes but if there was another main character in the film and we didn't follow his story we would look at him as a bad guy.
When the baby comes into view and the rich side of Africa, then the colours become pure. This is the point in the film that he changes his life. There is a point in the film when Tsotsi tries to stop the baby crying by putting on some music and dancing because he doesn't know what to do. At first when he brings the baby back to the shanty town and in his shack then its just dark but as he goes along and continues looking after this baby sun shines through the shack and onto him. This could mean that his soul is becoming more pure with the help of this baby and now he has to look after someone else and not him-self for a change.
Already through this film at the beginning of the film the first shot you see is Tsotsi doing a stabbing on a train for money. So the audience reaction is not vert sympathetic towards this character only the character who got stabbed. The clothes he is wearing are very dark with browns and blacks and also leather. These are the clothes and the colors of bad people who commit crimes, you will see throughout the film the changing of clothes is different and more free. By the end of the film his clothes change from dark colors and leather jackets to a white loose shirt and black trousers. White symbolizes pure, church and freedom, with the help of the baby he is a changed person. The contrast from Tsotsi at the beginning from Tsotsi at the end is so different. If the he stayed the same person throughout the film then the film will be changed and he would continue being violent and he would keep on running away form the law. If that baby wasn't in that film then you wouldn't of had that story and nothing would of become of him. Baby's are normally seen; in the eyes of people, immature, vulnerable, not a person yet, can't cope on their own and they learn from adults. If you change that around, you could describe Tsotsi with the same exact words. But the difference is that he learns from the baby and not the other way round. He is not learning like everybody else does, with looking after this baby, he is learning responsibility and he is now getting feelings towards it. He looks up to this baby like a guru if you like to call it that. He teaches him life lessons without him knowing it.
The genre is Crime Drama. The reason it is Crime Drama because in the beginning you know Tsotsi as a thug, he stabs somebody on a train for money, he steals from a homeless guy in a wheel chair and there is aspects of crime in this film but there is also aspects of Drama in this film as-well like the flashback within the film when he looks back at his Family and the reason why he ran away and become the guy that he has become and that change in his life.
In the crime genre the structure is, there is a murder, then and investigation then it is solved. Within this film, there is a murder and there are knives and guns involved which you would link to the crime genre. There is the good cop and the bad cop and they try to find Tsotsi and how Tsotsi lives is with guns and knives. That is how this can be within the crime genre.
The Drama genre, normally tells you the story about family struggles. Which this does tell you when he goes back into his flashback from how his mother died form how his father treated him and why he ran away and how he ended up in the end. You can also class him changing with the baby in his life is a struggle for him to change his life and he cares for that baby and he didn't think that he could care for anybody. The first time you see this emotion is when he follows the homeless guy in the wheel chair and starts harassing him. He reminds him of his dog that he had and become ‘crippled' is how he described him as his dad hurt the dog and the guy couldn't walk. This is the first emotion that you see from him.
In this film i think there are more elements of the Drama genre then the crime genre because this film is all about redemption and how his life changes and at the very end if he continued because the thug he was he would of ran away from the police and show no emotion but he changed. His clothes changed from being leather and dark to at the very end just a white loose shirt. That is the color of purity. He doesn't want to give away the baby and shows emotion because he got attached. You could say here that he couldn't changed without help and now it was time to let go he wasn't ready. You can also say that as the baby was form the rich side of the country that the poor just need help from that side even if they just care and they will be come better people.
This film is all about the rich and poor divide and how people want to change. There is a scene that stands out to me when he first has the baby and he sees a single mother with her baby and he goes to her to feed his baby. But he holds her to gun point while she breast feeds. For a living she makes chimes and sells them. Tsotsi goes up to them. There is one which is old and rusty and right next to it is one very colourful and inviting and bright. He looks straight thorugh the old rusty one and touches the colourful one with his gun. Here is could represent him. The person he is and the person he will be. A gun shows power and security. As he just looks straight through the rusty one it could show that he is invisible and wants to move away from it and break away. But while looking up the the colourful chime and touching it with his gun this could shows he looks up to people like that but scared to step in that direction. You could say here, he is in limbo. Too scared to move forward but doesn't want to take a step back.
Representation within this film is Race, Gender and disability. For race, as this film is a African film and the director is not african it shows it through the eyes of a different person. It shows two different parts of the country and what they go through in Johannesburg. Here they are seen as dangerous as Johannesburg has one of the highest crime rates ad as the main character is a thug then it points the audience in that direction. Through gender the male characters are the strongest physically but the females are stronger through mind. So it kind of equals itself out. With the disability is with the guy in the wheel chair. As he is a homeless person it kinds of shows him as weak and cant look after him self and he is vulnerable and a easy victim. In the train station people just walk right by him and not even bother with him. When they do bother with him he is being a target.
Theories- The film doesn't just go by one theory i think it combines. With the Aristotle theory there is just a beginning middle and end. But i think think this film is more complex than 3 stages within the film. Levi Strauss theory is Binary opposition, this has defiantly got binary opposition between the rich and poor divide. Yladmir Propp theory is 8 types of characters. The hero, villian, donor, dispatcher (messenger) false hero, helper, princess and her father. I don't think some of these apply but some do like the hero, villain, helper and the princess. The hero would be Tsotsi the villain would be the police, the helper or helpers would be his friends (Gang) and Miriam would be the princess. Izetan Todorov theory is 5 stages within the narrative.
1. A state of equlibrium at the outset- Tsotsi being the thug and does what he does best and commits crimes in his gang.
2. Adisruption of the equlibrium by some action- He hits one of his gang members and his gang falls apart.
3. A recongition that there has been a disruption- The baby comes along while he is steeling the car.
4. An attempt to repair the disruption- He tries to look after the baby but cant so he asked for help from the princess.
5. A vein statement of the equilibrium- The very end when he has changed and become a different person.
Tsotsi Baby Handover Song
High limit casino videos. So i think the 3 theories make up this film and it just doesn't go by one theory.
In this film you go on a journey with one particular person with a troubled childhood and the ability to change. The catch is that the change in his life was a baby. When he comes into contact with the baby he debates whether or not to give the baby back but as he is getting chased by cops he is forced to keep the baby in his apartment. He is torn between his old life and the new one that is about to come upon him. This film has so many emotional impact on you when you watch it. It doesn't mean you will cry but you will feel different once you have seen it. When i watched it for the first time the ending got me and thats when i got the emotional impact. In other films you watch the gangster/ thug is the bad person, this film changed your perception of that character. When you see the life of someone that you think is evil it changed your way of thinking about them. The saying applies here ‘Don't judge a person unless you walk a mile in their shoes.' With the soundtrack in this film combines very well with the emotion shown on screen. There is a reason why this is one of my favorite films. You have to watch this film to actually know what impact it throws on you. It is not an easy going film to watch.
Structuralism is how a story goes. Its like the structure of the film, its what makes the film up. If you take away a part in the film it changes the whole film all together. The main part of the film is how Tsotsi looks after the baby, but what will happen if you took away the baby? This film will not be what it is. There will be no redemption, no change in his character and the whole story line will be different. I think it will just be a film about a thug and his life. I think it will be still a drama because of what happened in the past to him with his mother dying of aids and his father being a drunk and him running away from home. But without the baby we will not see the other side of him and he wont change.
